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1.Click the Exhibit button You have three layers  in a composition. You place them at different distances
from the camera. You want the farthest layer to look blurred, as shown in the Exhibit. What should you do
in the Camera Settings dialog box?  
A.Set the Focal Length lower than zoom. 
B.Set the Blur Level value to 100 percent. 
C.Select Enable Depth of Field. 
D.Choose 80mm camera from the Preset menu. 
Answer:C 
2.You import an image of grayscale clouds and add it to a composition. You want to use the highlights in
the image to reveal the content immediately beneath the image and the shadows in the image to conceal
the content beneath the image. What should you do? 
A.On the layer immediately below the clouds layer, select Luma Inverted Matte from the Modes column of
the Timeline panel. 
B.On  the  layer  immediately below  the  clouds  layer,  select Luma Matte  from  the Modes  column of  the
Timeline panel. 
C.On the clouds layer, select Luma Inverted Matte from the Modes column of the Timeline panel. 
D.On the clouds layer, select Luma Matte from the Modes column of the Timeline panel. 
Answer:B 
3.You want to convert PAL footage to the NTSC standard to use in future projects and compositions. What
should you do? 
A.Choose Lower Field First for Field Rendering and WSSWW for the 3:2 pull-down menu. 
B.Drag  the  footage  from  the Project  panel  to  the Render Queue  and  choose Microsoft DV NTSC  for
Output Module. 
C.Change the frame rate of the footage to 29.97 fps.  The safer , easier way to help you pass any IT exams.
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D.Select the footage in the Timeline panel and choose the Frame Blending Option. 
Answer:A 
4.Your  composition  contains  video and animated  text. You want  to export  the  composition  in a  format
suitable for playing in mobile devices. You also want to preview the result in Adobe Device Central. What
should you do? 
A.Choose File> Export to export in MPG-4 format. 
B.Choose File> Export to export in Adobe Flash Video (FLV) format. 
C.Add the composition to the render queue and choose the H.264 format in the Output Module Settings
dialog box. 
D.Add the composition to the render queue and choose the QuickTime Movie format in the Output Module
Settings dialog box. 
Answer:C 
5.You want  to render a movie file from a composition. The composition is of a motion picture sequence
and  involves heavy effects. You want  to  render  the composition by using a network of  render engines.
What should you do in the Render Queue panel? 
A.Set the Output Module to render an AVI uncompressed movie file. 
B.On the Render Settings menu, select Use Open GL Renderer. 
C.On the Render Settings menu, set the Proxy Use option to Use No Proxies. 
D.Set the Output Module to render a still-image sequence and add a post render action to create a single
movie file. 
Answer:D 
6.You render multiple items in a day. You want to add specific information, such as the compressor name
and frame size, to the name of each rendered file. You also want to use this set of parameters in the future.
What should you do? 
A.Select the render items and choose Edit> Duplicate with File Name. 
B.Choose the Custom value from the Output To menu to create and save a default name in the File Name
Templates dialog box. 
C.Select all the render items and click the underlined filename next to Output To to enter a new filename. 
D.Choose Preferences >Output and select the Use Default File Name and Folder option. 
Answer:B 
7.In a composition, you have a  layer showing a man holding a rectangular signboard  in his hands. The
man is continuously moving, shaking, and turning the sign. You want to track the movement of the sign to
substitute it with a graphic in another layer. What should you do? 
A.Track the sign using the Parallel Corner Pin Track Type. 
B.Track the sign using the Perspective Corner Pin Track Type. 
C.Stabilize the position and rotation of the sign, and then track its position. 
D.Track the position of a corner of the sign, and apply the tracked data to the Anchor Point of the graphic. 
Answer:B